Winchester School Of Art – 1 Year Foundation Course
Cheltenham College Of Art – 3 Year Bachelor Of Arts
Degree In Fine Art Degree (Specializing In Printmaking)
Brighton Polytechnic – 1 Year Art Teaching Certificate
1996 – 2000 Lecturer Foundation Course
Specializing In Visual Design And Textiles
Northbrook College, Sussex
1994 – 1996 Lecturer In Visual Studies And Jewellery Design – North East Wales University
Lecturer In Textiles And Graphic Design
Telford College, Shropshire
1988 – 1994 Lecturer In General Art And Design
Newbury College Of Further Education
1982 – 1988 School Teacher Art And Design
Edgbarrow Secondary School, Berkshire
Exhibitions - Selected U.K. Exhibitions
The Arts Workshop – Newbury – 1994 solo show
Open Eye Gallery – Edinburgh
The Kilvert Gallery – Hay-on-wye
The Gallery In Cork Street – London
Interiors Home Collection – Geneva
Ruthin Gallery – North Wales
Bothy Gallery – Yorkshire Sculpture Park
Medici Gallery – London
Chelsea International Craft Fair – London
Prima Vera – Cambridge
Barn Galleries – Henley On Thames
Paper Passions – London
Battersea Contemporary Art Fair – London
1996. Contributed To A Book On The International Craft Of Papier Mache
Exhibitions - Selected USA exhibitions
Continental Loft Gallery – Dallas
Forty Five Ten – Dallas
Haggerty Gallery, University Of Dallas “Fragments”
Invited Show of 4 women collage artists.
Dallas Museum Of Art – Invited contribution to Beaux Arts Ball Auction.
2520 Gallery – Dallassolo show “Treasure”2003
Craighead Green Gallery – “New Texas Talent” 2004
Rosalux Gallery – Minneapolis 2005 “Open Door”, International juried Exhibition
Touchstone Gallery – Washington D.C. “7th annual all media exhibition”
Galerie Hertz – solo show “Assemblages”
Carr+Waite Studios, “Christmas Matchbox Show”
Chapman Friedman Gallery, “Pillows Talk”
International Museum of Collage, Cuernavaca, Mexico – “Bakers Dozen”
Carr+Waite Studios, “Photo Biennial Louisville 2007”
Gallerie Zuger, Santa Fe NM, “Assistance Dogs of West Exhibition”
Kentucky Museum of Art and Craft, “Visons and Voices”
Elk Creek Vineyards Gallery, Owenton, KY, “Gone Fishing”
Galerie Hertz, solo show “Curiouser and Curiouser – Interior Worlds”
Cressman Center, University of Lousiville, “ReSource”- Artists who use collecting to create or inspire their work
Chapman Friedman Gallery, “Jarring”
Abecedarian Gallery, Denver, Colorado. National Juried Show of Assemblage and Collage, ‘Imagination Navigation’
Group Show, Galerie Hertz
Gallery Zipp, Glorietta, NM, ‘Clothesline Show’
Climate Gallery, Long Island, NY, ‘Re-fuse/Re-use’ , assemblage exhibition
Kentucky Museum of Art and Craft, ‘Artist’s Collect’, installation
Galerie Hertz, ‘Triptych’, 3 woman, show
El Museo Cultural, Santa Fe NM, ‘Recycled Santa Fe Art Festival’, Juried Art Exhibit
Mill Fine Art, Canyon Rd. Santa Fe NM, ‘Small Works Group Show’ – juried show
A feature in the January 2011 Edition 8 of UPPERCASE Magazine.
‘Short Stories’ – Installation, A mixed media wall piece comprising 41 individual, hanging assemblages to be hung at the Frazier Rehab Hospital, Louisville.
Public Gallery, Louisville Visual Arts Association
Artebella Invitational – Group Show of selected artists.
Galerie Hertz – Louisville, KY – Collage and Assemblage, Group Show
Participation in the LVAA Open Studio Tour, November 2015
Currently working on an installation for KMAC (Kentucky Museum of Art and Craft) for inclusion in a Show for 2016.
'Artists Select’, Cumberland Gallery- Nashville, TN- Saturday April 16th, 2016 -Saturday May 21, 2016.
‘Strange Worlds: The Vision of Angela Carter’, The Royal West England Academy, Bristol, United Kingdom. Based on the work of author Angela Carter. December 10th, 2016 – March 19th, 2017.
Two person show, Caroline Waite and Tom Pfannerstill – Galerie Hertz- November
'New Arrivals', Cumberland Gallery, Nashville, TN - Saturday August 19th - Saturday September 16th, 2017.
I work in the field of mixed media sculpture, assemblage and installation. I often use repetition as a means of reinforcing an idea or as a way of highlighting subtle comparisons between forms and objects. The work usually starts with the found object – things which are collected for their mystery and potential to begin a narrative. Items often sit on the wall or on a shelf in my studio for long periods where I place one thing alongside another until I see a dialogue developing, a possible relationship which eventually leads to a story.
In recent years, I have included paintings as well as collage in to these assemblages because I wanted to have my own “hand” more directly in these works and to add another dimension to these structures, both physically and in a more personal sense. I am interested in the playful use of strange objects, in giving new life to them and in imbuing them with a sense of mystery and intrigue.
In addition, I like my work to pose questions rather than provide easy answers and to give the viewer a sense of discovery, recognition and wonder – the same emotions I feel when I am out hunting for new material and come across something which excites me.
I am interested in the idea of seeing an object through or behind another, the way we see the world, as a series of frames, glimpses and reflected thoughts.