Additional works by Marilyn Murphy available at Cumberland Gallery
Selected Awards and Grants
2011 Research Grant, Vanderbilt University, Nashville, TN
2004 Chancellor’s Award for Research, Vanderbilt University.
Award for Outstanding Artwork, Tulane Review of Art and Literature, Tulane Univ, New Orleans, LA
Research Scholar Grant, Toward Mid Career Survey, Vanderbilt University
2003 Research Scholar Grant, Toward Catalog Publication, Vanderbilt University
Distinguished Faculty Award, Vanderbilt University, Nashville, TN.
2001 Honorable Mention, Puna Art Contemporary Art Center, Pahoa, Hawaii.
2000 University Research Council Grant, Vanderbilt University.
1996 National Endowment for the Arts Visual Artists Fellowship Archive, National Museum of American Art, Smithsonian Institution, Washington, D. C.
Tri Kappa Award, Evansville Museum of Art, Evansville, Indiana, Juror: Nancy Hoffman.
1995 Merit Award, Water Tower Annual, Louisville Visual Art Association, Louisville, Kentucky.
Top Purchase Award, National Painting Competition, Cheekwood Museum of Art, Nashville, TN Jurors: Robert Ryman, Painter/Inge-Lise Eckmann, San Francisco MoMA
2 Purchase Awards, Parkside National Print Exhibition, University of WI, Kenosha, WI. Juror: Terry Allen, Artist.
Venture Fund Grant, Vanderbilt University, Nashville, TN
1991 First Place in 2-Dimensional category, “Patchwork of Many Lives,” Huntsville Museum of Art, Huntsville, AL, Juror: Connie Butler, Curator, Artists Space, New York.
Purchase Award, Evansville Museum of Arts And Science, Evansville, IN
1990 Fellowship, Southern Arts Federation
1988 Fellowship, TN Arts Commission, Juror: Lowery Sims, Metropolitan Museum of Art, NY
(Work in over three hundred and twenty exhibitions since 1980 and curated over 35 exhibitions.)
2016 Women’s Caucus for Art Exhibition, Arc Project Gallery, San Francisco, CA
“Women’s History Month Exhibition,” Florissant Valley College, St. Louis, MO
Adler & Co Gallery, San Francisco, CA
2015 “Black and White Invitational,” Blue Spiral Gallery, Asheville, NC
“Women Do It!” Women’s Caucus for Art traveling exhibition including the College Art Association, NY, UN Commission on the Status of Women, Target Gallery Washington DC, ARC Gallery, Chicago.
“Art on Paper,” Circle Gallery, Maryland Federation of Art, Annapolis, MD
“New York Project,” The NY Boyer Foundation, NY Public Library, New York, NY
“DRAWING,” KunstRaum Ko (Gallery), Berlin, Germany
2014 “Los Angeles Art Show,” Los Angeles Convention Center, Los Angeles, CA
“Wish You Were Here,” AIR Gallery, New York
International Painting Annual 4, an exhibition in print, Manifest Research Gallery, Cincinnati, OH
“Correspondence,” Q Gallery, Franklin Art Center, Brainerd, MN
“Fashion Dictates: Who Make and Breaks the Rules,” Drawing as backdrop for a panel discussion with Ann Simonton at the Santa Cruz Museum of Art and History, Santa Cruz, CA
“Winter Exhibition,” The Montgomery, Adler and Co Gallery, San Francisco, CA
2013 18th Annual LA Art Show, LA Convention Center, Los Angeles, CA
“Winter Show,” Adler and Co., San Francisco, CA
New American Paintings, No. 106, Southern Issue, Open Studios Press, Boston, MA
“Air and Dreams,” Solo show, Cumberland Gallery, Nashville, TN
“Contemporary and Modern Art Fair,” Fort Mason Center, San Francisco, CA
“Currency,” Allen Priebe Gallery, University of Wisconsin, Oshkosh, WI
“Memory,” Richmond Art Gallery, Richmond, BC, Canada
“Dream State,” Linus Gallery, Los Angeles, CA
2012 Adler & Co Gallery, San Francisco, CA
“The Secret Exchange,” National Museum of Contemporary Art, Seoul, Korea.
“Work,” Mayworks Exhibition, Nainaimo Art Gallery, Courtenay, BC, Canada.
“49th Annual Exhibition,” Masur Museum of Art, Monroe, LA
“Without Borders,” Cumberland Gallery, Nashville, TN
The Jim and Janet Ayers’ Collection, First Bank, Nashville, TN
“Surreal Visions,” Limner Gallery, Hudson, NY
2011-12 “Connections: Marilyn Murphy & Bob Trotman, Huntsville Museum of Art, Huntsville, AL
2011 “International Drawing Annual 6: an Exhibition in Print,” Manifest Gallery, Cincinnati, OH
“Drawing Connections,” Siena Art Institute, Siena, Italy
“The Secret Exchange,” Museum of Contemporary Art, Sydney, Australia
“Los Angeles Art Show,” Fine Arts Dealers Association, L. A. Convention Center, LA, CA
“12th Annual Realism International Art Exhibition,” Upstream People Gallery, Omaha, NE
“Art Chicago,” Merchandise Mart, Chicago, IL (Carl Hammer & Cumberland Galleries)
“Papier Invitational” Cumberland Gallery, Nashville, TN
Hand Drawn Map Association, #309,www.handmaps.org Philadelphia, PA
“80 Square,” Tinney Contemporary and Middle TN State University, Nashville, TN
2010 “Ninth Annual National Exhibition, Ceres Gallery, New York, NY Juror: Lowery Sims
“Food Show,” Cumberland Gallery, Nashville, TN
“30 Small Works,” Gallery Up, Gettys Art Center, Old Town, Rock Hill, SC
“Art Chicago,” Merchandise Mart, Chicago, IL
“Airmail 100,” 100th Anniversary of Air Mail, Modesto Art Museum, Modesto, CA
“Mechanics of the Imagination,” Prescott College Art Gallery, Prescott, AZ
2009 “Primal: Drawing as Mirror of Self,” Carl Hammer Gallery, Chicago, IL
Invitational group show, Sue Scott Gallery, New York, NY
“In Your Dreams,” Pen & Brush Gallery, New York, NY
“Accessing the Artist’s Brain: Drawing as Metaphor,” Association of Visual Arts, Chattanooga, TN
“From Washington to Warhol: Americana Redefined,” Cheekwood Museum of Art, Nashville, TN
“The Road Not Taken: 30th Anniversary Exhibition,” Carl Hammer Gallery, Chicago, IL
2008 “Wind Mischief,” Solo Show, Carl Hammer Gallery, Chicago, IL
“Slippery Ideas,” Solo Show, Cumberland Gallery, Nashville, TN
“5x5,” Target Gallery, Torpedo Factory Art Center, Alexandria, VA
2007 “Red Clay Survey Alumni Reunion: From the Collection,” Huntsville Museum of Art, AL
“Firescape,” Northcutt Steele Gallery, Montana State University, Billings, MT
“Coffee,” Future Studio Gallery, Los Angeles, CA.
“And Now A Word from Our Sponsors: Acquired Taste, Recent Art Acquisitions at the Tennessee State Museum (2006-2007)”, Nashville.
“Music City Picks: Choices from Cheekwood’s Collection,” Cheekwood Museum of Art, Nashville, TN
“Male Art Show,” Regis Center for Art, University of Minnesota, Minneapolis, MN
2006 “All About Women,” Carl Hammer Gallery, Chicago, IL
“Strange Figurations,” Limner Gallery, Hudson, NY.
2005 “Work of Art, Art of Work,” Fine Arts Building Gallery, Chicago, IL
“Hindsight: Inspired by the Past,” Afif Gallery, Philadelphia, PA
2004 “Suspended Animation,” Mid-Career Survey, Frist Center for the Visual Arts, Nashville, TN
“Georgetown International Exhibition,” Fraser Gallery, Washington, D. C.
Solo show Cumberland Gallery, Nashville, TN, 1999, 1997, 1994, 1991, 1988, 1985, 1983.
“The Contemporary Art Fair,” Pier 92, New York, New York
“31st Annual Exhibition,” Masur Art Museum, Twin City Art Foundation, Monroe, Louisiana.
2003 “National Drawing Exhibition,” Fred R. Kline Gallery, Santa Fe, New Mexico.
“Art on Paper,” Maryland Federation of Art, Annapolis, Maryland.
“Works on Paper,” Long Beach Arts, Long Beach, CA, Award.
“Views of the Collection: Recent Acquisitions,” Huntsville Museum of Art, Huntsville, AL
“A Century of Progress: 20th Century Painting in TN,” Morris Museum of Art, Augusta, GA
2002 Catherine Lorillard Wolfe Art Club, 106th Annual Exhibition, New York, New York
“What’s My Line?” The Frist Center for the Visual Arts, Nashville, TN
2001 “A Catalog of Winds,” Artemisia Gallery, Chicago, Illinois. Solo show.
“The Best of Tennessee, Millennium Collection,” Tennessee State Museum, Nashville, TN
International Exhibition, Puna Contemporary Art Center, Pahoa, Hawaii, Award, CD-rom.
Two-person Exhibition, Swan Coach House Gallery, Atlanta History Center, Atlanta, Ga.
“Firsts: the Personal & the Historical,” Bare Hands Gallery/Univ. of Alabama, Birmingham
National Endowment for the Arts, Washington D. C. (since 1998)
2000 “A Catalog of Winds,” Solo Show, University of North Carolina, Charlotte
“Figurative Works 2000,” Armory Art Center, West Palm Beach, Florida.
Holter Museum of Art, Helena, Montana.
1999 “Figuratively Speaking,” Blue Spiral Gallery, Asheville, NC.
1998 Solo Show, University of North Carolina at Asheville, NC.
Alexandria Museum of Art, Alexandria, Louisiana.
1997 The Armory Art Center, West Palm Beach, Florida.
1996 The National Academy of Design, New York, New York. No index entries found.
Seattle Artfair, Seattle, Washington.
The Hunter Museum of Art, Chattanooga, Tennessee.
Evansville Museum of Art, Evansville, Indiana.
1995 “Americas 2000,” Northwest Art Center, Minot State University, North Dakota.
New Regional Printmaking Invitational, Sarah Moody Gallery, University of AL, Tuscaloosa
“Dark Humor,” Plan B Gallery, Memphis, Tennessee.
1994 San Diego Art Institute, San Diego, California.
University of Alabama, Solo Show, Huntsville, Alabama.
1993 Amos Eno Gallery, New York, New York.
1993 “Drawing into the 90’s,” Laguna Gloria Art Museum, Austin, Texas, Juror: Neal Benezra, Chief Curator for the Hirshhorn Museum, Award.
“From the Mountains to the Mississippi,” Cheekwood Fine Arts Center, Nashville, TN.
1992 “Realism Today,” Evansville Museum of Art, Evansville, Indiana.
Brooks Biennial Invitational Exhibition, Brooks Museum, Memphis Tennessee.
“From Dixie to Down Under,” Perc Tucker Regional Gallery, Townsville, Qld, Australia.
Boston Museum School
The Bridgestone Collection
Modesto Art Museum
Siena Art Institute Siena, Italy
Tennessee State Museum
Huntsville Museum of Art
Oklahoma Museum of Art
Imagery Collection at Benziger Estate Winery
Cheekwood Museum of Art
OK State Collection
Shepard Fairey, LA, CA
Beth Rudin DeWoody, NY,
Judy Chicago, NM
Nashville International Airport
The University of Wisconsin at Parkside, Bristol Myers
First Bank, TN
Prudential Collection, Chicago, IL
Graphic Chemical & Ink Co., Villa Park, IL
Hospital Corporation of America
The Jim and Janet Ayers Collection
First Bank, TN
Master of Fine Arts, University of Oklahoma, Norman, Oklahoma.
Bachelor of Fine Arts, Oklahoma State University, Stillwater, Oklahoma.
Professor of Art, Vanderbilt University, Nashville, TN.
Selected Guest Artist Lectures
College of Fine Arts, The University of New South Wales, Sydney, Australia, 2006, 2017
Huntsville Museum of Art, 2001, 2007 and 2011.
Whitecliffe College of Art and Design, Auckland, New Zealand, 2009, 2010
Meridian Museum of Art, (as Curator), 37th Annual Bi-State Art Competition, Meridian, MS 2010
Fisk University, Nashville, TN, 2005.
National Art School, Sydney, Australia, 2004.
Artemisia Gallery, Chicago, IL, 2001.
James Cook University, Townsville, Australia, 2001, 1998, 97, 95, Drawing Seminar in Brisbane, 1994
University of Tulsa, Tulsa, OK, 2000.
University of North Carolina, Charlotte, NC, 2000.
University of North Carolina, Asheville, NC, 1998.
James Cook University of North Queensland-Cairns Campus, Cairns, Australia, 1996.
Far North Queensland, Aboriginal & Torres Strait Islander College of Art, Cairns, Australia, 1996.
Oklahoma State University, Stillwater, Oklahoma, 1996.
Elam School of Art, The University of Auckland, Auckland, New Zealand, 1995.
The University of Alabama, Birmingham, Alabama, 1994.
University of Alabama, Huntsville, Alabama 1993.
Seven Hills College of Art, Brisbane, Australia, 1993.
Queensland College of Art, Brisbane, Australia. 1992.
The University of Oklahoma, Norman, Oklahoma, 1992.
Perc Tucker Regional Gallery, Townsville, Queensland, Australia, 1991.
2016 101 Contemporary Artists, ArtVoices, Catalogue, Terrence Sanders.
2015 “The Dust Devil is in the Details,” review, ArtVoices Magazine, Spring, Peter Frank
2014 Who’s Who in American Art, since 1989
2014 Calyx Journal of Art and Literature, Volume 28, Issue 1, Corvallis, OR
Hi-Fructose Magazine of Contemporary Art, November, 2014
2012 Connections: Murphy/Trotman, catalog, Huntsville Museum of Art, Huntsville, AL
Direct Art 19, Fall, “Marilyn Murphy + Bob Trotman,” Review, Art Papers, Dorothy M. Joiner, May/June 2012
2011 Alimentum: The Literature of Food, Issue 11, Summer, cover.
Who’s Who in American Women, 28th Edition
Alimentum, Literary Journal, Issue 9, NY, Cover of Summer
“Art Gallery: Marilyn Murphy,” on line exhibition, Alimentum: The Literature of Food www.alimentumjournal.com/marilyn-murphy/
2009 Alimentum, Literary Journal, NY, Cover of Winter, 2009/2010
2007 The Individual Artist Fellowship Catalogue, Tennessee Arts Commission,
“The Getaway,” The Oxford American, 2007 Music Issue, full page image of artwork.
2006 New American Painting, Southern Edition, Vol. 64, Open Studios Press, Boston, MA
2005 Art Papers, review and image, Julie Roberts, Jan/Feb.hy
2004 Suspended Animation: the Work of Marilyn Murphy, Lucy Lippard & Mark Scala, Frist Center for the Visual Arts, catalog.
Who’s Who in America and Who’s Who of American Women, Marquis.
2003 The N. E. A. Tapes, Documentary Film, Directed by Paul Lamarre & Melissa Wolf, NY, Interview (Premier-Capitol Building, Washington, D. C., September 1999).
Real Illusions, Exhibition Catalog, Frist Center for the Visual Arts, Nashville, TN.
2000 Zhuang Shi, Arts magazine, The People’s Republic of China, illustrated article on my work.
The Distillery: Artistic Spirits of the South, Literary Journal, Motlow State College.
1997 Who’s Who in the South and Southwest, Marquis, 25th Edition, 1995.
The Democratic Print, CD-ROM Catalog, University Art Galleries, Wright State U,Dayton, OH
1996 “Honing the Cutting Edge of Conservative Styles, “ Holland Cotter, New York Times, 7/26/96.
1996 International Who’s Who of Intellectuals, 12th Ed. Melrose Press, Ltd, Cambridgeshire, England “Cheekwood National Painting Competition,” review by Susan Knowles, Number: An Independent Quarterly of the Visual Arts, Memphis, TN, Winter, 1996.
1994 Calyx: A Journal of Art and Literature by Women, Winter 1994, Vol. 15, No.3, Portfolio.
My drawings typically include one or two figures involved in an improbable action or working at some curious task. While occasionally my art has a political element, many of the pieces in this series comment upon the act of seeing, the creative process or some aspect of human experience. Strong lighting and shadows create a sense of mystery while the identities of the men and women are obscured in order to direct the focus of the viewer toward their activity.
Film Noir as well as magazines from the 1940’s and early 1950’s often inspire my work. Growing up on the Great Plains, I often include the action of the wind in my work. Often the objects are beyond reach or curiously out of human scale to create a dreamlike atmosphere where the objects can be read as symbolic or actual.
“There is a particular logic inherent in Murphy’s conjunction, one based on visual punning and the slightly too bright, almost halated quality of her tonalities. If this is dreaming, it is lucid dreaming, a knowing exploitation of the dream state by Murphy to provide her and us, with images and sensations of improbable freedom and thrilling or hilarious juxtaposition.”
Peter Frank, Curator/Art Critic, Los Angeles